What Riley Wore (2019), written by Elana K. Arnold, explores the creativity and sensitivity of a nonbinary/gender creative child as they navigate everyday life from the dentist’s office to the playground. This accessible children’s picture book is colorfully and cartoonishly illustrated by Linda Davick with a touch of whimsy that doesn’t detract from the text’s realism. Continue reading
I am recuperating from a 5 night adventure. I flew to Indianapolis on June 12 for ChLA’s 2019 conference where I presented my work about LGBTQ children’s non-fiction picture books. There are only a handful of children’s picture books that explore aspects of LGBTQ history and I discussed their transformative potential and limitations during my presentation: LGBTQ Children’s Picture Books Now: Between the Past and the Future.
If we build a rich archive of children’s nonfiction that centers diverse experiences of differently classed, raced, and gendered subjects we might just begin to create the type of critical consciousness needed to take account of various modes of oppression that work in tandem. We might also be able to imagine becoming queer as a project in empathy and understanding that forces us to rethink attachments to oppressive ideas, identities, and institutions that reproduce oppression, indignity, and injustice for a newly conceptualized all of us.
I was only there a couple of days before flying to Saratoga Springs, NY to participate in a workshop for an open access Introduction to LGBTQ Studies textbook project I’m contributing to. I’m writing chapters about queer theory and LGBTQ children’s picture books. I’m so excited about this project because it will make information about two of my favorite topics available to students for FREE! It was wonderful to talk with folks who love all things queer! But, it was a lot of flying!
Lollipop Power Press is responsible for publishing some of the most stereotype shattering, queer-inclusive, children’s literature of the 1970s and 1980s! Learn more about the press and follow my blog for upcoming reviews of their children’s picture book publications!
Like most children’s picture books that feature transgender children, Sophie Labelle’s 2013 publication, A Girl Like Any Other, was self-published with the help of crowdfunding. Readers are introduced to a quirky young girl who shares what it is like being transgender in this first-person-narrative which is sure to reflect many young children’s experiences. Continue reading
I have reviewed over 100 LGBTQ* children’s picture books on my blog!
I am writing a book about LGBTQ* children’s picture books and as I identify, analyze, and evaluate books for my scholarship, I am reviewing the books on my blog. I hope the blog will be a public resource for educators, librarians, caregivers, and others interested in queering children’s bookshelves!
My reviews are of English-language books available in the US between 1971 and 2019.These books represent gay and lesbian parenting, gender expansive and transgender children, HIV/AIDS, queer grandparents, LGBTQ historical figures and histories, and so much more!
If you are an author or publisher and I haven’t reviewed your work, please email me at email@example.com! If you are a blogger, avid reader, or fellow researcher, feel free to contact me!
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Made by Raffi (2014), written by Craig Pomranz and illustrated by Margaret Chamberlain follows Raffi as he identifies and explores activities that make him happy. The story takes place in the spring, and Chamberlain’s bright illustrations of green grass, pretty flowers, and clear blue skies set the tone of possibility and growth that is thematically explored by Pomranz. Continue reading
Andrew Wheeler has edited a brilliant collection of eighteen LGBTQ2SIA+ comics targeted to a teen audience. This much needed anthology, Shout Out, begins with a thoughtful foreword by Nalo Hopkinson who testifies to the significance of the collection for queer teens who rarely see representation of gender and sexuality that mirror their identities and experiences.
Most of the comics tell cotton candy sweet love stories and Hopkinson notes she was at first critical of this idealistic picture of queer love. But she then exhaled and realized the stories made her happy. She writes: Continue reading