Tag Archives: #PictureBooks

Laura Roettiger’s Aliana Reaches for the Moon

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Written by debut author Laura Roettiger and illustrated by Ariel Boroff, Aliana Reaches for the Moon, will be released February 19, 2019 to coincide with the full moon. The story is about Aliana, a creative and curious little girl, who learns to harness the beauty of moonlight to make her little brother a delightfully personal birthday gift.

Aliana has light-brown skin, long wavy dark hair, and big brown eyes framed by purple glasses. Her affluent family is Latinx and they live in a lovely home with many large windows framing the Rocky Mountains.

The family life Roettiger and Boroff conjure is just as perfect as the family’s picturesque home. Every morning, the family gathers around a big table for breakfast, and the children spend their days horseback riding, hiking nature trails, and making messy experiments. Their parents do not mind the messes, and Aliana’s brother, Gustavo, looks up to his big sister.

Even as she fills her days with love and learning, Aliana sets aside time to experiment with marble, quarts, vases, and moonlight to stage a fleeting but fantastic “magical birthday cake” on the evening of Gustavo’s birthday.

This is a sweet edition to a growing collection of STEAM themed books featuring little girls putting their big brains to work.

Babette Cole’s Mummy Never Told Me

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Mummy Never Told Me by Cole, Babette [04 March 2004]Mummy Never Told Me (2003) was written and illustrate by the prolific Babette Cole and published in the UK by Jonathon Cape. The story and illustrations are outrageous but oddly charming like much of Cole’s work. This narrative is told from the point-of-view of a curious little boy who realizes life is full of mystery and his mummy has been keeping secrets.

Text and images pair well and follow a predictable format. The boy asks a question that stretches across a two-page spread. The first image depicts him clearly pondering the topic and the second is a silly and surprising illustrated answer.

For instance, in one two-page spread he asks: “what is my tummy button for…”. The whimsical illustrations paired with the text depict him touching his “tummy button.” On the facing page, his naked mother has just given birth and a doctor holds the baby away from her body to emphasize the umbilical cord.

In another two-page spread, the young narrator ponders why he must go to school, since “Mummy was expelled from hers.” An image of a young, very pregnant girl, walking away from a school with a suitcase in hand suggests why. A sign hanging at the front of the school says: “St Ursula’s Convent for NICE Young Ladies.”

Other awkward content includes the boy’s parents jumping naked on their bed and an image of them skinny dipping while out on a date.

Although LGBTQ content is touched on, it is minimal. Some women fall in love with women and some men with men. The narrator is sure he will figure it out one day.

The campy book seems to barely acknowledge its primary audience. Although quite funny, I can only see giving it tongue-in-cheek as a shower gift you never expect your expecting pal to read to her child.

SIX MONTH BLOGOVERSARY

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Image result for six month blogoversary imageIt’s my SIX MONTH BLOGOVERSARY here at RaiseThemRighteous! I began reviewing racially and ethnically diverse, LGBTQ* inclusive, and socially relevant children’s picture books 6 months ago. Then, on January 1, I started reviewing middle grade and young adult books.

I didn’t have many goals for my first 6 months, but I did want to gain 1500 followers across two platforms. And, I did it! I have 1700+ blog followers and 1600+ Twitter followers. I am also on GoodReads.

I put a lot of work into the blog and am so happy it’s becoming a valuable resource for educators, librarians, and parents looking for detailed reviews of books for children and young adults.

I’ve been keeping busy! In 2018, I participated in the Cybils Awards as a Round One Judge for Easy Reader and Early Chapter Books. I really appreciated the opportunity to serve! Then, just a couple days ago, on January 25, I participated in Multicultural Children’s Books Day 2019 as a reviewer!

In the next six months, I am hoping to increase my followers to 2500+ followers on Twitter and another 2500+ on my blog. I think I can do it! I am also probably going to expand my social media presence by working on a Pinterest account. I think that may appeal to a lot of teachers.

Thank you so much for supporting my work at RaiseThemRighteous! If you have ideas for how to improve the blog, recommendations of books to review, or are interested in guest blogging, please email me at: RaiseThemRighteous@gmail.com.

Thank you so much,

Jennifer

 

Tommie dePaola’s Oliver Button is a Sissy (1979)

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Hardcover Oliver Button Is a Sissy BookTommie dePaola’s Oliver Button is a Sissy (1979) tells the story of a little boy bullied at school and discouraged at home because he doesn’t enjoy typical boy things like playing ball. Oliver would rather be picking flowers and playing with paper dolls.

Realizing their son is not going to take up football anytime soon, Oliver’s parents enroll him in dance. He is so good his teacher recommends he enter a local talent show. Although he doesn’t win, he builds some confidence and his parents learn to be proud of him for the things he is good at, not the things they wish he was good at. In other words, when he takes the stage, they are better able to see him. The kids at school seem to have a change of heart as well.

In 2019, images of gender expansive children are available in several children’s picture books, including Cheryl Kilodavis’s My Princess Boy and Christine Baldacchino’s Morris and the Tangerine Dress. To a lesser extent, characters who embrace a clear camp aesthetic have also made their way to children’s picture books like Lesléa Newman’s The Boy Who Cried Fabulous and Helga Bansch’s Odd Bird Out. However, in 1979 dePaola’s book provided children with a new way to imagine being a boy, uncoupled from rough-and-tumble masculinity.

Although it’s forty-years-old as of 2019, Oliver Button is a Sissy has aged quite well. Narrow visions of masculinity still shape playground gender policing and parents are still too often slow to embrace effeminate sons.

DePaola tells the story in an accessible style sure to engage young readers. His illustrations pair well with the story, showing what he tells in words.

I highly recommend this as an addition to personal and school libraries. Oliver is more subtly gender nonconforming than the children depicted in more recent books, which provides an important representation for children who might like dolls, but not so much dresses.

Benjamin’s And Baby Makes Four (2009)

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And Baby Makes Four, written by Judith Benjamin with photographic images by Judith Freedman, was published in 2009 by Motek Press. Lesbian moms and their young daughter prepare to welcome a new baby into their family.

The story is told in the first-person from the point-of-view of the couple’s young daughter. At the beginning of the short book, the young girl learns her mom is pregnant and that she will be a big sister. Pictures of her pregnant mother as well as ultrasound images show what the story tells.

Once her parents bring the new baby home, she begins to adjust to the cute but loud and attention-hogging new infant. This adjustment isn’t seamless. She has to get used to the good and not-so-good of being a big sister.

By the end of the brief book she has settled into her new life and enjoys her role in the family.

This is a good story to help young children process a new addition to their home! It is well-paced and accessible, helping children as young as three begin to grasp the changes that will occur.

I do not like the use of personal photographs in books. It feels too intimate; a reminder that you are clearly reading someone else’s story. I prefer the abstraction of illustrations because it makes it easier for readers to “step into” a story, so to speak. However, And Baby Makes Four does fill a niche and can be a useful aid to discussing the addition of new siblings.

IF YOU WRITE LGBTQ* CHILDREN’S PICTURE BOOKS, PLEASE READ!

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I am working on a book project tentatively titled The Politics and Poetics of “New” LGBTQ Children’s Picture Books. The book is about children’s picture books published in North America that feature LGBTQ themes and characters.

I am historicizing and contextualizing the production, distribution, and consumption of LGBTQ children’s literature by building an archive of news articles, existing research, and original interviews conducted primarily through digital correspondence. I am very interested in how gatekeepers like publishers may influence LGBTQ content in children’s picture books. Additionally, I am interested in how experiences publishing LGBTQ children’s picture books have changed over the last fifty years.

I am seeking the help of authors who have experience publishing LGBTQ children’s picture books. I have prepared a set of questions that will help me obtain information about your experiences self-publishing, publishing with a small press, or publishing with a larger established press.

I’ve been offered an advance contract by a major university press for this book project. I have published about LGBTQ children’s literature in the edited collection Heroes, Heroines, and Everything in Between as well as in The Journal of Homosexuality. I also teach about literature, writing, and gender studies at University of Texas at Arlington.

If you are an author who has written LGBTQ children’s picture books, please contact me at jlmiller1@gmail.com.

I will send you a series of questions as an initial part of our correspondence. At most I will follow up once for clarification. Your help will enable me to create a rich history of North American LGBTQ children’s picture books!

Thank you for your time and consideration!

Linda de Hann’s King and King (2002)/King and King and Family (2004)

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King and KingKing and King and Family

King and King, written by Linda de Hann and illustrated by Stern Nijland, queers the traditional fairy tale.

In this version, the queen, crown prince, and their pet cat live together. The very controlling queen orders her son to get married so he can rule the kingdom. As she barks demands at him, spittle rains from her mouth. After a day of being bullied, he agrees to be wed. His mother quickly arranges to have a group of single ladies paraded in front of him.

Almost all the princesses are physically unattractive: one is overweight, another’s arms are disproportionately long, a third wears glasses and has bad teeth, a fourth is very tall and skinny. The last princess is fairy tale princess-pretty. She has long blond hair and an hour glass figure. This princess arrives with her brother: Prince Lee.

The two princes fall in love at first sight. They quickly marry and become known as king and king. Of course, they live happily ever after.

Two years after its English release, King and King was followed by King and King and Family. The same writer/illustrator team created the book, which depicts king and king’s honeymoon. It is illustrated in the same style, which provides a sense of consistency across texts.

The men travel to the jungle and their pet cat stows away in their suitcase. As the threesome make their way through the jungle, the newlyweds delight in watching animals’ parent their offspring. This makes King Bertie wish he had a child of his own.

When the couple and their cat arrive home a little girl wearing a bright colored tank top and prettily patterned skirt pops out of their suitcase. She has a tan-skin tone and is ambivalently raced. The girl is immediately made a part of the family. She shares her adventures with the couple, although the reader is not privy to her story.

King and king officially adopt her, and it is noted that the process involves a lot of paperwork.

I am not a fan of these books. I don’t appreciate the abject depictions of women in the first book, and I don’t understand the choice to make a little girl magically appear in the two kings’ suitcase once they arrive home in the follow-up.