I love Carlos Hernandez’s Sal and Gabi Break the Universe (2019). It is a roller-coaster ride of a sci-fi adventure featuring amazing characters who are all exceptionally kind and utterly quirky. Sal, a young magician, has just moved to Miami with his dad and stepmom. He’s enrolled in a school for talented youth where he ends up spending more time in the principal’s office than the classroom. Readers learn pretty early that Sal is able to transport objects, including iterations of his deceased mother, from one dimension to another. His father is a scientist trying to figure the whole thing out. Although the science is never detailed it’s present throughout.
Geoff Rodkey’s We’re Not From Here (2019) begins on Mars as a small group of kids trade rumors they’ve heard about the fate of humanity. Earth is on the brink of destruction and the surviving humans must find a new home.
After securing permission to move to Planet Choom as refugees a small group of desperate humans enter biosuspension for twenty years, which is how long it will take them to get to what they anticipate will be a welcoming albeit completely alien new home.
Anne Ursu’s The Lost Girl (2019) is a haunting middle-grade novel that dabbles in the fantastic, but it is real-world drama that drives the story-line. The novel is about two twin sisters, Iris and Lark, who mirror each other physically while having distinct personalities. The twins live with their mother and father, but (as is requisite for middle-grade fiction) the father is absent. He is in London on a six-month long business trip and is only introduced in the text through Skype. The story is really about the girls’ relationship with each other and their discovery of their uniqueness through a forced separation at school. The two had always been in the same class but start the new school year with separate teachers. This does allow them to experience individual challenges while learning that they can have separate experiences and still share a deep bond. Continue reading
A series of interrelated events assemble to create a haunting tale of intergenerational salvation in Pat Cummings’ debut middle-grade novel Trace. The title character loses his loving parents in a car crash that he miraculously survives and mistakenly blames himself for causing.
Trace moves to Brooklyn to live with his aunt, Lea, an artsy and kind woman who doesn’t have much experience with children but makes up for it with compassion. Continue reading
Lindsay Lackey’s All the Impossible Things (2019) swept me away like a discarded paper bag on a windy day. It’s a beautiful story that is skillfully written and carefully paced with brave characters who love each other the best they can. I enjoyed it immensely and think you will as well.
At the center of the story is twelve-year-old Ruby “Red” Byrd. Red is in foster care after losing her grandmother to cancer and her mother to addiction. Reuniting with her incarcerated mother is a hope that lingers throughout the text, as do reminders of her relationship with her grandmother. This is a little girl who has known fierce love, even if the two women who loved her ultimately couldn’t care for her. Continue reading
If you or someone you know is over eight-years-old, you need a copy of Zetta Elliott’s urban fantasy Dragons in a Bag!
Dragons in a Bag introduces readers to Jaxon, a sweet and smart young boy with brown skin and unruly eyebrows. Jaxon’s father passed away and he lives alone with his mother who is estranged from her family. At the start of the book, the mother-son duo struggle to make ends meet and their landlord is trying to evict them. When Jaxon’s mother goes to court to fight the eviction, she drops her son off at the home of a woman she calls Ma. Jaxon reasonably assumes the surly woman is his grandmother, but family isn’t that straight forward in Dragons in a Bag – neither is anything else! Continue reading