Demand Inclusive Children’s Culture, Get it from Flamingo Rampant

Flamingo Rampant is a small-press committed to producing racially and ethnically inclusive, feminist, and LGBTQ*-positive children’s picture books. The press was founded by S. Bear Bergman and j. wallace skelton. Over a dozen books are now available!

Flamingo Rampant is currently raising money through a Kickstarter campaign for their next set of six titles to be published August 2019.

The Lamestream Publishing Industry

In an interview with The Queue, Flamingo Rampant co-founder S. Bear Bergman stated that mainstream publishers rejected his books because they couldn’t imagine a market for radically inclusive queer positive children’s literature. Miriam Zoila Pérez troubles the assumption of mainstream publishers in an article for Colorlines noting: “While it may be conventional wisdom that white kids won’t read books featuring people of color, and that boys won’t read books featuring girls, there isn’t much research actually supporting it–meaning we may be able to turn the tide by introducing kids to a wider range of stories at a young age.”

I started blogging at because I believe all children deserve books that reflect their lives and all children deserve books that don’t. As adults we are accountable to our children. We need to demand inclusive children’s culture of the quality Flamingo Rampant delivers.

Queer World Making

When asked by The Queue how being a parent influenced his writing choices Bergman responded: “I started to think, what does this do to someone’s dreamscape? What does it mean to populate their imagination with stories? I also became very aware of my worldbuilding. I didn’t want to create an alternate reality in which children would feel alienated, or that they wouldn’t be able to access.”

I love this so much. In my academic work I often describe children’s literature, especially LGBTQ* children’s literature, as a world making project. Books give children vocabulary and vision. We should treat children and their culture, a culture adults are largely responsible for making, with dignity and respect, while empowering them to be world makers themselves. Flamingo Rampant will help them dream big and encourage them to put positive things into the world today! I mean that, really I do, check out these titles!

Why Should I Donate or Pre-Order?

In an article for Plenitude: Your Queer Literary Magazine, DJ Fraser describes why Flamingo Rampant crowdfunds: “Crowdsourcing startup money let Bear actually pay his team of producers, something that is often missing from many independent publishing venues. An important part of Bergman’s vision was initially to reward his artists for their work, and not force them into artistic burnout with no return.”

Flamingo Rampant is putting such important work into the world! Let’s support them. You can donate to their Kickstarter campaign or pre-order their next set of 6 releases! These books make great contributions to classroom, school, or public libraries. We need to help put these stories into the world!

Back the Project!



Boys and Their Best Beasts

Big Foot and Little Foot (Book #1)Big Foot and Little Foot and Axel and Beast are two new series for confident young readers comfortable with early chapter books. Both series introduce emotionally engaging boy protagonists and their beastly besties.

Written by Adrian C. Bott and illustrated by Andy Isaac, the first installment in the Axel and Beast series, The Grabbem Getaway, is a fast-paced book that introduces readers to Axel Brayburn. Axel is a skilled gamer who spends most of his free-time playing Tankinator Arena. He lives alone with his mother, Nedra, after his father’s sudden disappearance, which is only briefly introduced in the book. Nedra is a hard-working mechanic who cannot afford the game upgrades Axel’s competition, particularly BAGGER-63, take for granted. As a result, although Hugo has tremendous skill, his wealthy opponents claim victory.

Early in the text, Beast, a robot created by Grabbem Industries, shows up in Axel’s garage after escaping his greedy creators. Axel and Beast quickly bond. Of course, Grabbem Industries is not going to let their property go without a fight

Axel uses his gaming skills to aid Beast in making his escape. The two are aided by a disgruntled Grabbem employee, Agent Omega, Axel’s mom, Nedra, and Rusty Rosie, owner of the local junkyard. It is a happy ending for all, all the good guys anyway! Beast is saved and his tracking devise is expertly removed.

It’s hinted that Axel and Beast will work with Agent Omega to take down Grabben Industry, since according to Agent Omega: “They destroy nature and take away people’s homes just to make themselves rich. What’s worse, they keep getting away with it.”

I appreciate any text that encourages critical class-consciousness and creates strong women characters like Nedra and Rusty Rosie. I found the pace and tone of The Grabbem Getaway engaging and think it will likely to appeal to reluctant readers with strong vocabulary and comprehension skills.

The first two books in the Big Foot Little Foot series, written by Ellen Potter and illustrated by Felicita Sala, deal with the themes of loneliness and being an outsider. The Sasquatch protagonist, Hugo, and the human protagonist, Boone, accidentally meet and eventually become best friends who are as oddly paired as Axel and Beast.

Hugo is happy enough in his community of Sasquatches, but he longs for adventure, and is particularly interested in sailing. But, Sasquatches are afraid of humans who they fear wish to hunt them, so they tend to stay very close to home.

Boone is a lonely boy who lives with his grandmother and is homeschooled because of the lack of public schools in the rural wooded-area he calls home. He wants to be a cryptozoologist when he grows up.

Hugo and Boone begin passing messages to one another using a toy sailboat. In one message Boone confides to his friend that he has seen a Sasquatch. When Hugo shares that he is the Sasquatch, Boone becomes angry assuming that he is being mocked because, of course, Sasquatches can’t write.

Both humans and Sasquatches maintain unflattering stereotypes of the other that end up getting between them. However, Hugo and Boone overcome these difficulties and become best friends by the end of the first book.

The second book in the series, The Monster Detector, plays with the insider/outsider theme that emerges in the first book. When Boone decides to attend the Sasquatch school, not all the children are willing to accept an outsider within their classroom. However, they eventually become more comfortable with their new human peer.

The Big Foot Little Foot series avoids being didactic while encouraging many moments of reflection through Boone and Hugo’s unlikely but convincing friendship. The books are sweet and fun to read.

If you are looking for a book about a young boy and his sort of odd best friend, either of these series will excite the young readers in your life. The Axel and Beast series requires greater reader proficiency and is likely to appeal to an older audience, but advanced young readers will surely enjoy it as well!

*Review for the Cybils Awards